Bungaku Shoujo / Literature Girl Film

A surprisingly good film.

Once viewers can move past the abnormal psychological desire of the literature girl, Amano Tooko, eating pages from books to cement her love of them, it delves into a rather intriguing romance story.

Inoue Konoha is a highschooler whose past we slowly uncover and learn about his quasi-friend, quasi-girlfriend Asakura Miu, a girl who attempted suicide in middle school due to the confluence of problems with her home life and the horrifying aspect that Konoha will no longer be in her life in the future. Throughout the film, we discover just how much Miu hates herself and how she deceives and hurts Konoha because she both despises herself and despises the fact that Konoha could leave her. Her ambivalent attitude of love and hate for her only real friend is portrayed incredibly realistically. What I particularly liked was the ambivalence of her character.

Konoha himself seems to hold shame and guilt for winning a book contest which he initially believes stole Miu’s dream and made her commit suicide. In reality, it was because Konoha wouldn’t continue to be her “dog” and stay loyal to her. Konoha’s two other friends, Nanase Kotobuki and Akutagawa Kazushi, are absolutely disgusted with Miu’s manipulative and selfish behavior that continues to cause Konoha severe mental anguish. Konoha is in such emotional turmoil that he shows signs of PTSD and severe anxiety on multiple occasions when thinking over Miu’s attempted suicide. Amano Tooko’s adventuring and chats about her future prospects with college serve to help him stay adjusted and distracted from the tumultuous thoughts about Miu and his deep sense of shame and guilt over what he feels was his fault.

Unfortunately, Tooko herself seems like a cookie cutter version of the manic pixie dream girl. She shows a strong sense of empathy and understanding for Miu’s mental breakdowns and Konoha’s deep regret, but we can only really use that to judge her character apart from her frequent chats about her future prospects and exams. The conversation is usually focused upon Miu or Konoha’s lives and there is much less emphasis on Tooko to really know much about her. Even side characters like Kazushi and Kotobuki seem to show more depth. However, I do feel that the caring and strong demeanor that Tooko portrayed was realistic within the situational contexts of the film; I just wish there was more depth given to her character.

8/10

 

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