Internal Affairs (1990)

0/10.

Completely awful film.

I pretty much disengaged from the film when it became evident that Raymond, the main character, was more likely to believe some known crooked officer who makes goading remarks than his actual wife. Evidently, the film finds Raymond assaulting his wife and throwing a childish temper tantrum to be forgivable manly behavior.

The film marketed itself as two intellectuals doing battle, and I have seen recommendations where it’s compared to the Departed. This is utter nonsense. The Departed is hundreds of leagues superior to this craptastic shit excuse of a film. It went from an interesting investigation into a crooked cop into a whiny manchild screaming and hitting his wife because of a bunch of insults. The fact his wife was having dinner with the man, and the fact the man somehow had his wife’s panties (or so it is believed, most likely the man took one from his four wives and pretended it was the main character’s wife, Catelyn). The wife evidently is sorry and obediently has sex with her husband when prompted to after her husband accused her of cheating on him, made a mess of her business dinner in front of all her colleagues, and assaulted her right in front of them.

The ending is a predictable “main villain threatens main character’s wife” nonsense. Nothing about this movie was interesting. I absolutely hate it. It was obvious the crooked cop was making things up due to his behavior around women in general. Overall, the main character was a total idiot who believed some stranger over his wife and got rewarded for it. The fact another wife beater’s wife was cheating meant nothing, because it had nothing to do with the relationship of Raymond and Catelyn.

I absolutely hate these types of films. Women are treated as objects to be owned, required to forgive any abuse placed upon them, and somehow they’re suppose to be a “good wife” of upstanding moral character by forgiving their wife beater husbands. As far as I’m concerned, if a husband beats his wife, then she’s free to leave him. Human trash don’t deserve to act like victims while treating other people like crap and ignoring the pain they bring them. Raymond is human trash galore, an icon of all the stupid men of society who don’t deserve to be in any relationship because they’re petty, jealous, insecure, and utterly disgusting pieces of trash. If you don’t trust any women, you don’t deserve to be in a relationship with one.

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Bungaku Shoujo / Literature Girl Film

A surprisingly good film.

Once viewers can move past the abnormal psychological desire of the literature girl, Amano Tooko, eating pages from books to cement her love of them, it delves into a rather intriguing romance story.

Inoue Konoha is a highschooler whose past we slowly uncover and learn about his quasi-friend, quasi-girlfriend Asakura Miu, a girl who attempted suicide in middle school due to the confluence of problems with her home life and the horrifying aspect that Konoha will no longer be in her life in the future. Throughout the film, we discover just how much Miu hates herself and how she deceives and hurts Konoha because she both despises herself and despises the fact that Konoha could leave her. Her ambivalent attitude of love and hate for her only real friend is portrayed incredibly realistically. What I particularly liked was the ambivalence of her character.

Konoha himself seems to hold shame and guilt for winning a book contest which he initially believes stole Miu’s dream and made her commit suicide. In reality, it was because Konoha wouldn’t continue to be her “dog” and stay loyal to her. Konoha’s two other friends, Nanase Kotobuki and Akutagawa Kazushi, are absolutely disgusted with Miu’s manipulative and selfish behavior that continues to cause Konoha severe mental anguish. Konoha is in such emotional turmoil that he shows signs of PTSD and severe anxiety on multiple occasions when thinking over Miu’s attempted suicide. Amano Tooko’s adventuring and chats about her future prospects with college serve to help him stay adjusted and distracted from the tumultuous thoughts about Miu and his deep sense of shame and guilt over what he feels was his fault.

Unfortunately, Tooko herself seems like a cookie cutter version of the manic pixie dream girl. She shows a strong sense of empathy and understanding for Miu’s mental breakdowns and Konoha’s deep regret, but we can only really use that to judge her character apart from her frequent chats about her future prospects and exams. The conversation is usually focused upon Miu or Konoha’s lives and there is much less emphasis on Tooko to really know much about her. Even side characters like Kazushi and Kotobuki seem to show more depth. However, I do feel that the caring and strong demeanor that Tooko portrayed was realistic within the situational contexts of the film; I just wish there was more depth given to her character.

8/10

 

Captain America: Civil War

MAJOR SPOILERS BELOW

Avengers 3: Civil War is a brilliantly written film that . . . oh, I’m sorry, Captain America: Civil War. I apologize for the oversight, you see, I just couldn’t tell the difference between this Captain America film and an Avengers film . . . because far more than just Captain America gets character development. In fact, the main character of this film seems to be Ironman.

The addition of Black Panther is something I really enjoyed about the film. His fight against Ironman and Bucky was amazing. However, what I truly enjoyed was the main villain’s motivation. This is, by far and with all sincerity, the best Marvel film that I’ve ever seen.

The divide is an argument for accountability to the whole world versus personal freedom for the Avengers. Both aspects are done incredibly well. Scarlet Witch’s lack of freedom is expressed well by being kept under house arrest by Tony Stark. The reason being the beginning of the film where one of the enemy’s were strapped with a bomb. There was only a split second decision that could be made and Scarlet Witch pushed the bomber into a building . . . that was an apartment complex filled with innocent people and accidentally ended-up killing more people as a result of that snap decision-making in a very stressful environment with superheroes and villains having war on a crowded civilian street in Africa.

The old black woman that Tony meets after his presentation at MIT is a very damning point for the Avengers. Captain America constantly seems to argue about wanting to be right when the world deems them wrong and standing up for what they believe in, but this visceral example of the dangers is probably the most damning point against the Avengers. For those who didn’t understand what happened, in Avengers 2, when the Hulk went on a berserk rampage in a different African city, Tony Stark had to use an extra-powered Ironman suit to effectively stop him. During the ensuing fight, Hulk destroyed a massive building that killed many civilians within it. That old black woman, a State government employee and implied to be a single mother, had a son who had been working in that country during his summer as part of a volunteer program, to help the poor in that country on behalf of the US government and presumably in conjunction with his military service for the US government in that country, he was doing this as a summer job while working on his Bachelors for an IT degree in college. The Hulk’s rampage and destruction of that building killed that young man and many other civilians.

Some of the photos by the US government in explaining the ramifications of the Avengers actions included children killed from the building Scarlet Witch inadvertently destroyed. 170 nations worked together, after the incident in the beginning of the film, to bring peace through regulating the Avengers.

I love Captain America’s portrayal because it shows how the typical hero archetype in Hollywood films, while well meaning, is ultimately self-centered and destructive to both their allies and a threat to the world. The twist with Bucky killing Ironman’s parents was fabulous. While Bucky “wasn’t at fault” the fact remains that anyone who hypnotizes him could use him to kill more innocent people. Is it really worth it to protect him and find a cure, possibly allowing more innocent people like Ironman’s parents or the staff at the UN being murdered mercilessly by a rampaging monster who has all of Captain America’s abilities? More people will die, it’s not so different from the Hulk. Can everyone who allows such monstrous power to go unchecked always argue that they’re vindicated from the potential danger of keeping such people alive?

Despite Scarlet Witch being forced into a suit that could kill her at any moment, it ultimately was her own responsibility. She chose to take down Vision and join Captain America’s group. The power can’t go unchecked and she was allowed greater freedom before she joined and explicitly went against US and UN laws by acting as a rogue agent/terrorist sympathizer.

The main villain’s motive, the diversity of even the foreign cast, and the believable characters and sympathetic emotional understanding of the foreigners, a dynamic female character like Scarlet Witch, and three different Black men who all had independent and dynamic motives really show just how great diversity and characterization has come in depicting women and minority characters. I’m honestly shocked at just how good this film was in portraying them without any of the drawbacks of stereotypes. Spiderman, Black Panther, Scarlet Witch, and even War Machine to an extent all gain amazingly deep characterization on the level of Ironman and Captain America. It really made watching this film a wonderful experience. Avengers 2 had everyone in character archetypes and boring shoehorned stereotypes. This film, by a shocking contrast, had a deep philosophical undertone of the damaging effects of superhuman powers on an international level (WITH REALISTIC POLITICS! HOLY SHIT!), a deep level of characterization for all the characters, amazing fight scenes among MULTIPLE characters that flow shockingly well, and basically everything that I felt Hollywood could be, if it tried. And it did try, and it was AMAZING!

The main villain’s final words, in response to a discussion about justice is just perfect. Black Panther tries to convince him to seek justice and the main villain rebuffs him telling him to tell that to the dead right before trying to kill himself. The man lost his family during the end of Avengers 2, being crushed to death by the ensuing earthquake and debris from tragically living too close to the floating land. Another damning point, Ultron’s creation was the result of the Avengers experimentation, and all they did after the damage was go back home while the main villain had to deal with putting his family into their graves after a funeral. The twist with his character, instead of seeking the other Winter Soldiers as was expected by the audience; he decides to kill them in their sleep, and his motivations were phenomenal and perfect for the film. He sought to destroy the Avengers empire internally instead of externally, because as he so rightly pointed out, empires will simply persevere from the hardship and come back stronger to fight the external enemy. His point about destroying empires internally by revealing the video tape and Captain America admitting to having kept the truth from Ironman was a great ending twist.

There is so much more I could say but I’ll stop here.

This is the best Marvel film I’ve watched so far. It kicks the teeth of the crap known as Avengers 2 and is a true Avengers sequel. Definitely a Must-watch film. It’s as good as the Dark Knight, I kid you not! I would really love to see if Marvel can top how amazing this film was.

9.8/10

The Huntsman: Winter’s War

Major Spoilers Below

One of the best sequels I’ve ever seen. The plot twists, apart from the one at the end, take a surprising turn. The Ice Queen displays more cunning, thoughtfulness, and endearment to her child slave army than Ravenna did with . . . anything. However, the film is more a romance/adventure more than anything else and it definitely passes the Bechdel Test.

One of the most interesting aspects of this film, it leads you into believing that the film will be a typical revenge film and then destroys that belief with a rather interesting plot twist that spectacularly shows off both the Snow Queen Freya’s cunning, which far surpasses Ravenna’s, and her cruelty, which is more psychological and physical. The film’s ending twist, although predictable, does an amazing and believable retcon in explaining why Ravenna didn’t just kill Snow White immediately and instead let her grow up. Ravenna’s guilt over what is revealed was palpable. It explains why the Huntsman, Eric, is such a great warrior.

Also, in all honesty, this film is better without Snow White making an appearance in the film. It’s an improvement because this film is about Eric and his wife, Sara. Who, shockingly, we found out wasn’t killed by the black guy, but instead was imprisoned for seven years and brainwashed by the Snow Queen into believing that Eric ran without her while Eric believed that Sara had been brutally killed. The film is really about them getting reacquainted and back together. It helps reinforce why Eric remained true to his one love. Both of the characters have fairly dynamic, believable, and relatable motives and personalities.

The foreshadowing for each twist is done subtly and fairly well. The young black youth’s demeanor before they chucked Eric into the river, the brief mind control and riff that Eric endures. What I particularly love is the time skip aspect of the film. I thought it would be a fairly predictable revenge film prequel before the events of Snow White but instead the film goes into Ravenna and Freya’s sisterly relationship before a timeskip after the events of Snow White and the Huntsman.

Certain drawbacks of the film, however, are that the final fight between Ravenna and Freya is a huge letdown, some of the lighting decisions were just stupid as we cannot see Freya clearly when she’s making announcements to her child slave army, Freya and Ravenna’s brother is never brought up, Freya and Ravenna’s bloodline powers aren’t given greater detail and seem to contradict Snow White’s assertion of Ravenna’s mother bestowing magical witch powers on Ravenna, and I feel as if certain scenes should have hung for a few seconds longer to make more of an emotional impact on an otherwise good plot.

Overall, however, I think it’s a good film. I really don’t get the negative reviews for this film series but perhaps Europe just has a finer taste in films than American audiences and their rampant Michael Bay explosions.

For me, this film is definitely worthy of an 8/10.

And here is a re-post of the rap battle, because it is so awesome:

Angel Egg (1985 Anime Film)

Major Spoilers below

This uniquely visualized film explores a what-if concept of the Noah’s Ark story in the Bible.

What if Yahweh decided not to help humanity after the Great Flood and instead let the world die?

In the film, a dove is suppose to inform Yahweh of what happened so that Yahweh begins the next step. However, the Dove, like the people in the ark, turned to stone as a result of the cursed rain. Those that didn’t become stone sunk into madness.

This film is explicitly stated to be open to interpretation but most aspects can be recognized. What cannot be ascertained is whether or not the man holding the Cross has either gone insane by dreaming his interactions with the girl or if he’s building a new form of humanity comprised only of the women who turn into eggs and breed more eggs that create clones of themselves or similar looking young girls with no physical differences.

There seems to be a Moby Dick reference, comprised of soldiers who have gone mad trying to capture and eat fish in a world where all living things except the scant few humans are dead. They constantly throw spears at whale shadows. In one scene, it seems as if they’ve caught a shadow but that presentation may also be a reflection of their madness.

I’m honestly not sure what to rate it, and it does seem to be for audiences who prefer slow, dark, gothic, and potentially depressing content. It is most definitely an acquired taste and only for those who prefer such genres. I watched it blind.

  • Interesting tidbits that I found, although I may be looking too much into this:

Spoilers for Persona 4 and Raidou Kuzunoha vs. King Abaddon

  • The beginning eye ship seems to have influenced Persona 4’s setting and the designs of Ameno-Sagiri and Shinado. The design of the beginning seems eerily similar to Persona 4’s area where Ameno-Sagiri is fought. The bodies making up parts of the floating eye ship seems reminiscent of several Atlus bosses, in particular, Shinado’s form before his final form, Ancient of Days DLC content of SMT4 may have some semblance of similarity with the concept, and certain bosses from Shin Megami Tensei 2.

Wolf Children (2012)

By far, one of the best films that I’ve watched. It simply outdoes itself in its depiction of real life characters in difficult settings.

Some people may not like the Mother character due to potential perceptions that she’s a mary sue, but I could see real life cases of mother’s acting in such a happy-go-lucky manner. Part of her character is smiling and pretending to always be happy, despite difficulty. And constantly taking degrading remarks from elders could be seen as a form of what it takes to be a good parent. As sad as that sounds, it’s likely true for women who live in lower income environments. Although, I base that upon what my own mother had to go through and stories I hear of other people’s mothers who grew up in similar environments.

This film is chiefly about motherhood; the difficulties, the issues of never knowing enough to try to ameliorate the problems for one’s children, finding – often physically laboring – to create the perfect environment for them to grow up, finding the right community, teaching children to keep some of the more rambunctious behavior to themselves, and eventually accepting that your child will grow up faster than you think; to move on to other perspectives and worldviews that are beyond your control and part of your child growing into adulthood.

It’s both a bittersweet and happy resolution at the same time. That is what makes the ending of the film so satisfactory. The mother watches how, right before her eyes, her children grow and move on before she realizes it. Thus making all of the hard labor, constant research, and single-minded effort on her part worthwhile.

The film’s lengthy introduction, depicting how she met her boyfriend/husband (the film leaves it to interpretation) and their relationship before the story progresses depicts a fairly realistic response to the shock of falling in love with a wolf man. What I particularly liked was how the mother reaps the benefits of her own effort and intellectual prowess, physically building her own happiness and nurturing environment for her children without much help in the beginning, before befriending the community and building helpful relationships.

The shy, awkward, and arguably unsatisfactory (for the mother) conclusion of her relationship with her children as she is always smiling even when in emotional pain does have a sense of realism to it. Some children, especially introverts, can be awkward and rush into leaving due to not knowing what to say as they move on to their new lives. It’s bittersweet and arguably tragic, but it’s very real and very human.

To conclude, this is quite a satisfying film. I’m hesitant to give it too large of a score due to my obvious bias so I’ll give it a score of 8.9/10.

Great film, it is definitely worth watching.

Bakemono no Ko

An anime film that is worth the watch. I felt as if some of the storyline was generic but the method in which the story occurs makes it unique enough to be interesting.

Some parts, like the relationship the main character has with the love interest, is rather melodramatic. But this film portrays a Master-Student/Quasi-Step Father – Stepson relationship really well.

The characterization of the bear, Kumatetsu, is well portrayed and believable. Kyuuta’s character development, albeit somewhat generic, is engaging enough for the film.

The story’s overall themes of bonding and moving forward by oneself is probably the best aspect of the film. It carries this theme extremely well with all of the characters. It seems to be in favor of Kumatetsu’s honest, straightforward, and blunt parenting compared to his rival’s hesitant and well-meaning parenting that didn’t seem to help one of his children grow into becoming self-reliant and having a strong sense of identity.

Despite Kyuuta’s identity crisis, he’s shown to be able to overcome it, partly thanks to his love interest, and mostly from his positive and blunt style of upbringing. Despite the hiccups along the rode, Kyuuta is better able to handle the real world because of his sense of identity.

Without spoiling it, the conclusion of Kyuuta and Kumatetsu’s relationship is allegorical to moving on after a parent has left and seems to be meant to parallel Kyuuta’s younger self in the beginning of the film when his mother died and he began to hate everyone in his life.

However, one major drawback of the film, for those who don’t understand Japanese cultural themes, is that much of the allegory and cultural significance of the film is lost on outside audiences who may simply conclude “it’s magic” when viewing the film. But there seems to be strong cultural symbolism to Japanese folklore within the film, that the film itself presumes the viewer may already be knowledgeable about. But this isn’t necessarily a damning point because the intended audience is obviously Japanese people and those with the cultural understanding of Japan.

Overall, I would rate this film a 7.7/10. Definitely worth the watch.